Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

　　22世紀(jì)末，被人類稱作“加米拉斯”的不明外星生物盤踞火星，并持續(xù)向地球發(fā)射帶有強(qiáng)烈放射性物質(zhì)的游星炸彈，致使地球人死傷無(wú)數(shù)，瀕臨滅絕，被迫轉(zhuǎn)到地下求生。在這緊要關(guān)頭，人類組成宇宙艦隊(duì)遠(yuǎn)征火星，結(jié)果幾乎全軍覆沒(méi)，僥幸逃回的大和號(hào)成為人類最后的希望。與此同時(shí)，一個(gè)神秘裝置穿越萬(wàn)里銀河墜落地球，經(jīng)檢測(cè)發(fā)現(xiàn)該裝置竟然能消除放射性物質(zhì)。為了從裝置的主人——麥哲倫星云伊斯坎達(dá)爾星的高智慧生物那里尋求幫助，人類決定孤注一擲，派遣大和號(hào)進(jìn)行這次遠(yuǎn)征。火星之戰(zhàn)中失去哥哥的原宇宙艦隊(duì)成員古代進(jìn)（木村拓哉 飾）應(yīng)召歸隊(duì)，和一眾好友成為了見證偉大歷史時(shí)刻的一員。而得知人類動(dòng)向的加米拉斯也發(fā)起了一波波的致命攻擊……
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