《戀戀有聲》是由上海仁惠文化傳播有限公司、新影文化發(fā)展控股有限公司聯(lián)合出品，夏文汐監(jiān)制，左立，顧靖擔(dān)綱主演的青春校園電影。影片講述的是一個(gè)選秀出道的歌手，光環(huán)下有著不為人知的身世，個(gè)性陰郁的他在校園里遇到了一個(gè)平凡卻勇敢的女孩，這個(gè)女孩給他帶來了陽光，卻也讓他再一次墜入黑暗的故事。

　　如小熊從冬眠中醒來，我已開始愛上這樣的一個(gè)你?！乖趫D書館里，Hyun Choi (Bae Du Na)發(fā)現(xiàn)書中留下這樣的一句話，再看另一本書，也是冩著同一句話。到底是誰留下的字？不知不覺間，這句話已扣著Hyun Choi的心弦，她要找出那個(gè)靜靜留低這些話的人…… Hyun Choi是普通朝九晚五辦公室上班一族，過去經(jīng)常因?yàn)樾愿裉髲?qiáng)，多次遭男友們拋棄。當(dāng)她決定要找出那個(gè)神秘留話人的時(shí)候，原來真正的愛情已在那一刻發(fā)生。 Yong Lee首次執(zhí)導(dǎo)之作《Do you like spring bear?》，由Bae Du-na及前身為模特兒的Kim Nam-jin主演，清新演繹一段神秘浪漫的現(xiàn)代愛情。

　　Four elderly men (Fons, Lull, Nuckes and J?ngi) are fed up with being walked all over and treated like children. Together with their friends, they plan a future without old people's homes. But that's easier said than done.

　　故事講述了一個(gè)神秘的老隱士（克里斯托弗·洛伊德 Christopher Lloyd 飾），被稱為“瘋狂船長”，以及一個(gè)年輕的孤兒之間的故事。老隱士有著古怪的生活方式，他每天騎著自行車采花，眺望大海，掃墓，生活看似正常，但卻流露出一種難以接受的氣質(zhì)。即使是他自己的女兒也無法與他建立良好的溝通。老隱士堅(jiān)決拒絕所有人的幫助，他堅(jiān)持獨(dú)自居住，使得他成為村莊中的一個(gè)謎團(tuán)。
　　在村莊里，有一群惡霸調(diào)皮搗蛋，老隱士看不慣他們的行為。老隱士同意幫助一名年輕的孤兒，以防止他被當(dāng)?shù)氐膼喊云圬?fù)。然而，他提出的條件是孤兒必須幫助他建造一艘船。

　　看似平靜的溫泉民宿，竟然成為兇案現(xiàn)場？一群好友相約出游，卻身陷一連串殺戮陷阱，一支染血的狼牙棒究竟隱藏著多少的愛恨糾葛。偵查失蹤案的美女警探來到民宿，著手追緝幕后的兇手，是否會(huì)給自己帶來殺身之禍？一部身材絕美、血脈賁張的情欲驚悚巨作《狼牙棒》。

　　有著450多年歷史的狼兵部隊(duì)后裔文山壯族兒女組成的新一代狼兵敢死隊(duì)驍勇殺敵，狼兵之花陸小妹（徐冬梅 飾）奉命執(zhí)行挽救民族危亡的絕密行動(dòng)，充滿血性、身手不凡的狼兵大英雄“飛狼”火線救援，與兇殘強(qiáng)大、溫柔背后暗藏變態(tài)殺機(jī)、手段極其陰狠的對(duì)手日軍特別行動(dòng)隊(duì)隊(duì)長川村犬男殊死搏殺，鷹峰嶺土匪混 水摸魚。危急關(guān)頭，總有一個(gè)神秘人物出現(xiàn)。各方勢力橫插一杠的烽火線上，重現(xiàn)拼死殺敵，誓死衛(wèi)國的百年狼兵雄風(fēng)……

　　在MIDNIGHT的世界，反抗黑暗的時(shí)刻即將來臨。
　　經(jīng)過三個(gè)世紀(jì)的勾心斗角與戰(zhàn)爭，黑暗之王Izrador終于擊敗自由族類的英雄與軍隊(duì)?，F(xiàn)在，他用鐵拳統(tǒng)治著整個(gè)Aryth世界。在Shadow的奴役下，人類一族過著被壓迫的生活，而精靈與矮人們則撤退到偏遠(yuǎn)的森林與深山里，在那里他們絕望的抵抗也慢慢屈服于Shadow不可動(dòng)搖的淫威。
　　受命調(diào)查一位失蹤的神父使者，惡名昭著的Mag Kiln被教會(huì)派往Blackweir的一個(gè)小鎮(zhèn)Erenlander。在這里，他很快被卷入一個(gè)古老的秘密中，被揭開的不僅是鎮(zhèn)子禁忌的遺產(chǎn)，還有他體內(nèi)不斷生長的惡毒的預(yù)言?！段缫咕幠晔贰肥且徊恐v述兩個(gè)傳奇人物的史詩故事——善的一族與邪惡一族。這就是講述他們的崛起，斗爭與最終命運(yùn)的故事，當(dāng)然他們的命運(yùn)不可避免地與黑暗之神統(tǒng)治的世界糾纏在一起。

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

　　在未來的某個(gè)時(shí)候，環(huán)境過度破壞的來臨。造成大量人類死亡。富人能夠建立黑社會(huì)，窮人只能留在地面上建立幫派維持生存。杰森斯托姆，一名黑社會(huì)警衛(wèi)得知一個(gè)殺害所有在地表的人類的陰謀。他需要逃到地表，并贏得了蘇邁，一位受人尊敬的武術(shù)大師作為他的盟友，阻止這骯臟的陰謀

　　Former Green Beret Louis Stevens returns to his hometown of Miami after completing military service in Brazil, only to learn that his old high school has become a haven for gangs and drug dealers. After Stevens uses his capoeira skills to kick several drug dealers off of the school property, Kerrigan, one of Stevens' old teachers, sees the impact that Stevens has on the students. Kerrigan gives him the task of teaching Capoeira to a handful of the worst at-risk students at the school.