夏洛特（夏洛特·甘斯布 Charlotte Gainsbourg 飾）是一個(gè)13歲的叛逆少女，對于她來說，生活充滿了不幸，同伴們都是不可救藥的傻瓜而父母則是不通情理的無聊大人，總體上來說一切都是如此的乏善可陳，除了那個(gè)叫露露（Julie Glenn 飾）的總圍著自己打轉(zhuǎn)的傻姑娘和那個(gè)年長英俊的水手。
　　當(dāng)克拉拉（Clothilde Baudon 飾）出現(xiàn)在夏洛特面前的時(shí)候，她簡直不敢相信自己的眼睛，原來這個(gè)世界上是可以有如此美麗、如此優(yōu)雅、如此才華橫溢的天使存在的，更重要的是，克拉拉的父母非常有錢，克拉拉成為了夏洛特通往幻想世界的跳板。在千方百計(jì)獲得了到克拉拉宅邸做客的機(jī)會后，夏洛特對于自己的光輝未來的幻想就從未停歇，可是現(xiàn)實(shí)并不如幻想般美好，很快，一盆冷水將徹底澆滅夏洛特那不切實(shí)際的幻想。

　　停職中的警探善宇對捉奸很有一套,索性開展副業(yè),專門提供捉奸服務(wù)。副職三日后,他接手了一個(gè)新案件,誰知等著他的竟是不倫現(xiàn)場的兩具尸體,而唯一的目擊者是其中一名死者的妻子——秀珍。[不只是新影]
　　善宇瞬間陷入絕境,莫名其妙成了殺人嫌疑犯。為了查清真相、洗脫罪名、揪出真兇,善宇掙扎萬分,事態(tài)卻進(jìn)一步惡化。另一方面,善宇也和美艷魅惑的秀珍發(fā)展出一段危險(xiǎn)曖昧的關(guān)系,令自己在迷宮中越走越深……

　　杰洛（麥克思·明格拉 Max Minghella 飾）是一個(gè)熱愛繪畫，一心想成為著名畫家的藝術(shù)青年，可是，當(dāng)他如愿以償進(jìn)入了藝術(shù)大學(xué)之后才發(fā)現(xiàn)，眼前的一切和想象中相去甚遠(yuǎn)。在專業(yè)課堂中，認(rèn)真勤奮的杰洛并不是老師最得意的學(xué)生，反倒是看上去呆頭呆腦的約拿（馬特·基斯拉 Matt Keeslar 飾）受到了老師的肯定。更讓杰洛感到苦惱的是，自己所愛上的人體課的模特奧黛麗（索非亞·邁爾斯 Sophia Myles 飾）似乎對約拿產(chǎn)生了好感。
　　學(xué)校里發(fā)生了血腥的連環(huán)殺人事件，但這并不在杰洛的關(guān)注范圍之內(nèi)。年度考核臨近，創(chuàng)作出優(yōu)秀作品的學(xué)生即可獲得在著名畫廊舉辦個(gè)展的機(jī)會。作品屢遭否定的杰洛無奈之下找到了落魄畫家吉米（吉姆·布勞德本特 Jim Broadbent 飾）并盜用了他的作品，沒想到，正是吉米的畫作讓杰洛成為了警方緝拿的對象，而約拿警察臥底的身份也隨之浮出了水面。

　　湯姆森家一家四口，包括家長湯姆、妻子索菲和兩個(gè)女兒杰絲、凱蒂。這一家人是個(gè)標(biāo)準(zhǔn)的古怪家族。一天，他們邀請陌生人共進(jìn)晚餐，后者卻死在了餐桌上。他們成了殺人疑犯。六個(gè)月之后，熟悉這一家人的蒂姆·塔納卡在心理醫(yī)生埃里克·塞克斯面前透露了這一家人的秘密，沒想到后者卻絲毫沒有保守秘密的職業(yè)道德。很快，湯姆森一家人在報(bào)紙上出了名并被稱為“謀殺家族”，事實(shí)被歪曲得越來越離譜。第65屆英國電影與電視藝術(shù)學(xué)院獎(2012)　 電影獎-英國本土杰出處女作
　　《黑色池塘》是2011年一部收獲眾多好評的獨(dú)立小片。影片成本僅為2萬5000英鎊，兩位導(dǎo)演湯姆·金斯利、維爾·沙培拍攝當(dāng)時(shí)也都只有二十四五歲的年紀(jì)。影片中，即使正常的人也會做出不正常的舉動，而這也許可以用在影片的主演克里斯·朗漢姆身上?！逗谏靥痢肥沁@位曾憑借《靈通人士》獲得英國學(xué)院獎的著名喜劇演員以“兒童色情”相關(guān)的罪名被判入獄三個(gè)半月之后接演的首部影片。

　　A drunken newspaperman is rescued from his alcoholic haze by an heiress whose love sobers him up and encourages him to write a play, but he lapses back into dipsomania.

　　驚險(xiǎn)的海盜奪金故事，浪蕩的諧趣，均被波蘭斯基凌厲精妙的手法傳奇般復(fù)活。影片講述為了搶奪金冠，海盜們與西班牙官員展開了一次又一次的戰(zhàn)斗。兜兜轉(zhuǎn)轉(zhuǎn)之間，原來一切又似乎回到了原點(diǎn)。

　　黑色電影的影像加間諜片的驚險(xiǎn)，根據(jù)真實(shí)事件改編，費(fèi)立茲?朗這部反納粹電影有著豪華的陣容，戲劇大師布萊希特、音樂家漢斯?艾斯勒等流亡美國的德國文化巨星參與創(chuàng)作，華裔攝影大師黃宗霑掌鏡。外號「布拉格劊子手」的德國佔(zhàn)領(lǐng)軍高層在布拉格被剌殺，剌客得到反抗人士幫助逃脫。德國人拘捕數(shù)百無辜人質(zhì)，要求交出剌客，否則殺掉人質(zhì)報(bào)復(fù)。逃脫的剌客要如何救回人質(zhì)？

　　When four female friends go on a retreat to a secluded lakeside cabin, they soon realise they’re not alone. Masked intruders try to take them hostage, but as they fight back, the friends get a taste for something more than the will to survive. Will their fate be as victim or executioner?

　　Returning from vacation, the Miller family find their home has been broken into. After cleaning up the mess they continue with their lives, shaking off the feeling of being violated. But little do they know the nightmare has just begun.

　　《儈子手》是西班牙寫實(shí)主義大師貝爾蘭加的巔峰之作，以辛辣的筆調(diào)描寫了一個(gè)連蒼蠅都不敢打的青年人，為生活所迫竟當(dāng)上劊子手的故事。影片雖在如今的各大西班牙經(jīng)典影片榜單上名列前茅，但由于推出時(shí)正處于弗朗哥黑暗時(shí)期，長時(shí)間沒有得到人們的認(rèn)可。

　　A quick glimpse at the cast for this film would make any horror fan giddy with glee. The actual movie doesn't live up to those high expectations, but it's far from being all bad. Desi Arnaz Jr. (!) plays an author who makes a crazy $20,000 bet with his publisher that he could write a great novel in only 24 hours. To do so, the publisher gives him the keys to an old abandoned house where he won't be disturbed. Not true. Once he gets there he is interrupted by a multitude of guests including a family which consists of John Carradine, Sheila Keith, Peter Cushing and Vincent Price. They are gathered there in a twisted family reunion to release their brother from the room he's been imprisoned in for forty years. Even Christopher Lee drops by as Corrigan, the man who has just purchased the house. Soon, they realize that the caged brother is loose and out for revenge.
　　What a great plotline and what a dream cast! This movie should have been a hell of a lot better. It's hard to pinpoint the exact problems with the film, but I would venture to say that the lack of lighting was a major fault. Sure the house has no electricity but I think they took the title of the movie a little too literally. Scenes after scenes are barely visible and the actors' faces are undecipherable. Only the moments in the main dinning hall are well lit. Also, the great actors are given very little to do. Cushing gets a few chuckles as the scared brother but Price, Lee and especially Carradine are somewhat wasted here. Well, at least Price gets the best line of the film: `Please don't interrupt me while I am soliloquizing.' And on the plus side, the story has enough twists and turns throughout to keep one`s interest and the ending, while a bit of a cop-out, manages to surprise.